Originally intended to be part of this dispatch of capsule reviews, I already went long on Theo Anthony’s All Light, Everywhere, the best film I saw “at” Sundance’s virtual 2021 edition. You can find that piece here. For the rest of the good, (but mostly) bad and ugly, see below.
Searchers (Pacho Velez, USA)
Pacho Velez, known best for highly conceptual …
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