Sitemap - 2021 - Long Voyage Home
An Introduction for Jacques Rivette's "Out 1"
Sweetest Devotion: Paul Verhoeven's "Benedetta"
Eerie Totality in Bertrand Bonello’s "Nocturama"
“I Love All My Movies”: A Conversation with Factory 25's Matt Grady
"German Cinema in the Age of Neoliberalism"
Backwards and Forwards: James Wan's "Malignant"
Antifragility: C.W. Winter on "The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)"
(Trailer) Tsai Ming-liang: A Cinema of Bodily Sense
Fear of Love: Leos Carax's "Annette"
Movement of World in "Mauvais Sang" and "Holy Motors"
Pour la beauté du geste: Leos Carax's "Holy Motors"
Heal All Wounds: M. Night Shyamalan's "Old"
Information as Disease: Steven Soderbergh's "Contagion"
Malaised & Confused: Azazel Jacobs' "Terri"
The 10 Best Non-Fiction Films of the 2010s
The Cinematic: Deceptively Simple Staging in "Going My Way"
Looking Closer: "The Persistence of the Real"
Fascistic-Fetishistic-Cinematic-Cannibalism: Revisiting "Kill Bill"
For the Love of Movies: Martin Scorsese's "Hugo"
Multiplicity: Emmanuel Mouret's "Love Affair(s)"
Red-Pilled: Dasha Nekrasova on "The Scary of Sixty-First"
Degrees of Coincidence: Ryūsuke Hamaguchi on "Wheel of Fortune and Fantasy"
Stranger Things: Ramon & Silvan Zürcher on "The Girl and the Spider"
The Irresolvable Heart of "Gertrud"
Why We Fight: Paul W.S. Anderson's "Monster Hunter"
Lonely Bodies: Tsai Ming-liang's "Days"
Blind Spots: Theo Anthony's "All Light, Everywhere"
The Other Scorsese: "The Age of Innocence"
Beyond Words: Steven Soderbergh's "Let Them All Talk"